Play Along Piano

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edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
Violoncello (Continuo)	16	0	9	4	92%
Violini 1	14	0	8	6	80%
Violini 2	14	0	8	6	80%
Contrabassi (Continuo)	14	0	8	4	73%
Violoncelli (Continuo)	14	0	8	4	73%
Soprano as Eurilla	12	0	8	6	68%
Bassoon (Continuo)	9	0	0	3	42%
Bassoon (Viole)	8	0	0	4	42%
Oboe 1	11	0	0	4	42%
Oboe 2	11	0	0	4	42%
Violas	8	0	0	4	42%

"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:19	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
Oboe	11	0	0	7	79%
	10	0	0	5	79%
Violins I	11	0	0	7	79%
Violins II	10	0	0	5	79%
Soprano as Eurilla	14	0	3	8	75%
Bassoon with viola	9	0	0	5	25%
Bassoon (Continuo)	9	0	0	5	25%
Contrabassi (Continuo)	9	0	0	5	25%
Viola	9	0	0	5	25%
Violoncelli (Continuo)	9	0	0	5	25%
Violoncello (Continuo)	9	0	0	5	25%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

3:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
Violoncello (Continuo)	22	0	7	10	100%
Basso as Tirenio	15	0	4	7	71%
Contrabassi (Continuo)	18	0	5	7	58%
Violini	20	0	4	8	58%
Violoncelli (Continuo)	19	0	5	7	58%

HWV56N02 - Messiah - Comfort ye, my people

edward.maurath

3:17	Est. Play Time
37	Measures
	1,502Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
VNE	16	1	3	5	95%
Bassoon	13	0	1	4	92%
Bassoon Continuoi	15	0	3	7	92%
Oboi	19	44	4	6	92%
Vcl	15	1	3	5	92%
Vla	13	0	1	5	92%
Vln 1	16	0	3	8	92%
Vln 2	16	0	3	5	92%
Tenor	14	0	4	6	84%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%

HWV56N25 - And with His stripes we are healèd

edward.maurath

3:04	Est. Play Time
92	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	89	7	3	100%
	15	20	5	3	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	89	7	3	100%
	15	20	5	3	86%
Cello	21	0	6	3	89%
Contrabass	21	0	6	3	89%
Viola	17	0	6	4	82%
Tenor	16	0	6	4	81%
Soprano	15	0	5	4	74%
Violin I	15	0	5	4	74%
Bass	15	0	5	3	70%
Alto	17	0	5	4	67%
Violin II	17	0	6	4	67%